A friend has researched this video for me, for which I am grateful. I am wondering if the String field theory could also be referred to as “Layers of Consciousness” – Worlds, upon Worlds, upon Worlds. Michio does speak of dimensions – which I have been shown are like rungs on a ladder – each rung represents a different world.
I also remember hearing as a child that Jesus said, “Every hair on your head is numbered”. That makes sense now after listening to Michio.
ANNOUNCEMENT: Please see the February 6, 2018 message from Cosmic Sai Baba introducing Andromeda Val to readers of the cosmicsaibaba.com website.
Please join us on Facebook – Valerie Barrow.
Also there is a YouTube video of the meeting every month so all can join us at the gathering.
Valerie Barrow: We are calling upon Cosmic Sai Baba to come, introducing Andromeda Val, today is the 5th of March 2019 and the meeting is taking place at Moss Vale, N.S.W. Australia.
Valerie Barrow: With great love and respect in our hearts we are calling upon Cosmic Sai Baba to make His presence this day – it is 1st May, 2018 and we are at Moss Vale, New South Wales, Australia.
Thank you.
Cosmic Sai Baba (through Valerie):
“It is I, I am Cosmic Sai Baba and I am very pleased to be here. There has been a little problem getting started and I have been waiting… but I am very pleased that it has started now.
The Source (God) continues to answer the questions of the participants in The Mystery School. In order to know our future and the energies the Earth is moving into – along with all that live upon Her – we must learn the history of Earth’s past and why older energies – such as that of the Dinosaurs – must be dispersed. The new energy is the 5th Energy, the energy that is coming from the suns aligned with the core of suns reaching back to the Creative Source of the All. It is from here that the Christ energy is flooding on the Earth. You may read more here.
Aerial View of Glastonbury Abbey site (source – Google images)
“Traditionally, the earliest Christian sanctuary in Britain. Legend says Joseph of Arimathea brought Jesus here and they built the old wattle and daub church. History records it as standing in 600 A.D.; and it burnt down when the entire Abbey Church were destroyed by fire in 1184 AD.
Leaflet from Glastonbury Abbey site
Archaeology tells us that Christianity was present in Somerset since earliest days. Glastonbury was important for pilgrimage – even being called “The Second Rome.” The Abbey became the largest and richest in England. St Bridget, St. David and St. Parick are said to have visited.
St. Dunstan was educated at Glastonbury Abbey and was Abbot here until he became Archbishop of Canterbury. He introduced the Benedictine Rule to Glastonbury and into England. Another Glastonbury monk, Sigeric, became Archbishop of Canterbury in 10th century.
In 1191 legend says that the monks found the buried remains of King Arthur and his Queen Guinevere. In 1278 they were re-buried in the chancel in the presence of King Edward 1 and Queen Eleanor.
In succession, three stone Abbey churches have stood here. The remains you see date from 1184 until 1539, when the Abbey was seized on the orders of King Henry VIII, during the Dissolution of the Monasteries. It was demolished gradually and used as a ‘quarry’ for building stone. The Abbot’s Kitchen is one of the Abbey’s remaining complete buildings: and from April to October there are demonstrations about the life of the monks.
The Abbot’s Kitchen is one of the remaining complete buildings at Glastonbury Abbey
Behind St. Patrick’s Chapel is the Glastonbury Holy Thorn Tree, which flowers twice each year. The Holy Thorn is said to have originated from a tree that grew, according to legend, when Joseph of Arimathea plunged his staff into the ground at Glastonbury and it burst into leaf.
The grounds contain 36 acres (about 14 hectares) with a fine selection of trees, wildflowers and bulbs for interest and seasonal variation, wildlife, ponds and a cider apple orchard.
In 1907, the ruins were bought and preserved. The Abbey is a Charity; “our only income is from you, the visitor.” The above information is taken from the leaflet given when you enter the grounds of the Abbey. You can refer to The Custodian. Glastonbury Abbey, Somerset. BA6 -9EL. You can contact the Glastonbury Abbey here
Commemoration of Joseph of Arimathea and Somerset at Glastonbury Abbey
When John and I arrived at Glastonbury town, we were amazed about the numbers of people and shops that were there; selling all kinds of what could be loosely described as ‘esoteric aid’ shops with ‘new age’ connotations. Many people looked happy enough – others seemed lost, as if searching for something. We were happier when we entered Glastonbury Abbey behind high stone walls. It is run by a charity, although privately owned by folk who live in Australia. A lovely peaceful place with calm energy. We enjoyed strolling around the ruins and walking the green lawns.
John Barrow standing at the ruins of the Church at Glastonbury Abbey
We came across the original site of the Wattle and Daub referred to as ‘The Old Church”. After visiting the Camargue in South of France and witnessing the replay of the landing of Jesus’ family when escaping Egypt – our memory is Joseph of Arimathea, uncle to Mother Mary, was among them, and after a short stay in Gaul he continued with others to his familiar business route of shipping and tin mining in what is now known as Cornwall and Wales. At the time, Glastonbury was an island surrounded by marsh lands (similar to the Camargue) a safe place when the Island of Britain was still occupied by the Roman Empire. In earlier days Joseph traveled with Issa – north to Scotia. (Scotland) – much evidence and research of Jesus traveling there is given by Barry Dunford, in his website www.sacredconnections.co.uk/holyland/christ_mission.html
Issa – Jesus in Scotland (source:www.sacredconnections.co.uk)
It is reported that Joseph had already acquired land from the local ruler, Arviragus to establish a place of learning and meeting – hence the Wattle and Daub building.
Jesus, (although I prefer to call him Issa) referred to himself as coming straight from the Father (meaning heaven). He never came to start a new religion and wanted to help people to rethink their way of life. He wanted to discourage sacrifice – he wanted to discourage slavery – he wanted people to understand of where He really came from and the message that He brought in the name of The Father, for people to love one another as He loved them. He spoke with clarity, being overlighted with Divine Light so that people felt compelled to stop and listen and marvel at His words. He performed miracles.
He was the anointed one. The word “Christ” comes from the Greek word Christos. By itself, Christos is the ancient Greek translation of the Hebrew word masiah (Messiah) which means “anointed one.” Later with the development of a church and a religion it eventually came to be called “Christianity.”
At the last supper Issa has been portrayed to say, “This is my body, this is my blood.” The church has placed the focus here – and this is not really the focus. The focus is Love, the focus is the Divine Kingdom of God, a cosmic kingdom of oneness of spirit.
The message of Issa-Jesus – a cosmic kingdom of oneness of Spirit
Issa often used symbology in teaching. His blood and His body was not of this earth. He was showing everyone that His Blood was Holy and His Body was Holy and that He had come directly from The Father, or another world. This is the Holy Grail. This is the Sang Real … the Blood Royal … The Holy Blood and The Holy Body through which it flowed. He came from the Cosmos.
Issa’s message was, “Love one another as I have loved you.” and that, “The Kingdom of God is within you.”
As a Medium I have, with agreement, allowed Beings of Light to use my voice box to speak through me. I have been blessed a number of times with the Light Being who is Jesus present himself and speak to us. In particular was the first meditation we had for the New Millenium. We all in the room felt His presence as He took over my body. He could be seen clairvoyantly dressed in pale blue and white robes, by a number of people, and he stood standing with His hands uplifted towards everybody in the room. Everybody was moved to tears and felt overwhelmed by His presence, including me. He was sharing His energy with us, not speaking much at all – but He did say:
“Many people await my return, but I have never left, all you have to do is ask, and I will come.”
The room was filled with a warm feeling of Universsal Love and Peace. And when I sat down I became aware of footprints in the carpet, which took a long time to fade.
Returning to our visit to Glastonbury Abbey we found the place where the monks found the buried remains of King Arthur and his Queen Guinevere.
Plaque at Glastonbury Abbey marking the site of the graveyard where
the remains of Arthur and Guinevere were found
Plaque in Glastonbury Abbey marking the discovery site where
the graves of Arthur and Guinevere were found
And finally before we left the Abbey, we found the Holy Thorn Tree that is said to have originated from the staff Joseph of Arimathea plunged into the ground on Wearyall Hill on the way to The Tor.
Valerie standing under the Holy Thorn Tree
It was a stiff climb, without handrails, up to the Tor above the Abbey at 158 metres above sea level. There remains the ruins of St Michaels church destroyed in 1539 on King Henry VIII’s orders. There also the Last Monk from Glastonbury Abbey was hung, drawn and quartered. I refused to ‘tune into’ that energy.
The energy up there was breathtaking – it was easy to see how Glastonbury town was built on an island and that large, wide flat plains existed in a full circle around it in which was obviously once a marshland. Hills rose in a great distance around a larger circle that had an opening, like a gateway, where the sea would have once come in and flooded the plains.
Valerie and John at Glastonbury Tor
This was looking towards Wales. I could easily see why Glastonbury was once called the Isles of Avalonia and existed as marshlands when King Arthur ruled 1500 years ago and of course when Joseph of Arimathea lived there.
View from Glastonbury Tor
Joseph is said to have died at Glastonbury on July 27th, A.D.82. On his tombstone was written, in Latin, “After I had buried the Christ, I came to the Isles of the West; I taught; I entered into my rest.”
We later visited the Chalice Well and its Holy Waters. Chalice Well is one of Britain’s most ancient wells, nestling in the Vale of Avalon between the famous Glastonbury Tor and Chalice Hill.
Chalice well with the Vesica Piscis on the cover
Go to PART TWO: our visit to Stonehenge and Avebury
Roadsign at the entrance of the town of Les Saintes Maries de la Mer
Valerie Barrow and her husband John spent the end of September, all of October and the early part of November 2010 travelling through the UK, France and parts of Egypt. What follows is the narrative of the visit to the Bay of Mary’s, South of France and the sacred event that was to unfold, unbeknownst, for them.
Enactment notice – Evocation of the arrival of Les Saintes Maries de la Mer
We were constantly guided while moving from one place to another when travelling – the only real thing I wanted to research before we left Australia upon our journey, was the Bay of Mary’s in South of France where it is said members of Jesus family escaped to after he was crucified.
The Camargue Cross of Les Saintes Maries de la Mer
One Thursday afternoon we are driving into the small village on the Bay of Mary’s and the sign in the photo above is seen everywhere in the village. We had no idea that there was to be a re-enactment of the landing of the Marys on the forthcoming Saturday night. This re-enactment only happens once a year in October and now we find we have arrived in time to witness it. Thank you Holy Spirit!
Idol of St Sarah, (also known as the black Kali, servant girl to the Marys and Patron Saint of Gypsies
On the left, Mary Salome holds an alabastar jar (often associated with Mary Magdalene) with Mary Jacobe (also known as Mary, Mother of James (in Latin, Jacobe) standing in a boat
A day of rest was welcome, giving time also to explore and get to know this place.
We found the Saintes-Maries-de-la-Mer Church where the effigys of Mary Salome and Mary Jacobe along with Sarah are carried down to the sea at their annual sacred Festival held in Spring. These Marys are all said to be the family of Jesus. But that Festival is not the evocation that we are to see on Saturday night. To read more about that Festival, see here
The medieval fortress church of Saintes-Maries-de-la-Mer
The people of the Camargue wetlands are gypsies with a strong Spanish influence, who have held the legend of the landing of The Marys for nearly two thousand years. “Gypsies” is a term used for Egyptians who fled the temples, many of them originally gifted priests and priestesses, when they were invaded long before 1 BC. (Other legends tell they were expelled from Egypt for harbouring the Infant Jesus.) They knew the ‘family’ and wanted to protect them. So they knew of the Essene they called Issa and they also knew of him being crucified. Their secrets were held in their Tarot cards.
Map of the Camargue Region of South France
The Camargue region is the Delta of the river Rhone, made up of lakes and marshlands, giving home to over 400 species of wild birds. It is known as the cowboy country of France where white horses and black bulls run wild. When the horses are born they are black or dark brown and as they age they gradually become white. The Gypsies are herdsmen and superb horsemen. A long stick with a three pointed end is used to poke the bulls into a certain direction. Sheep, goats, bulls are all herded onto the ‘stage’ area to demonstrate their skills before the actual enactment is performed. We are told the bulls are not the same as Spanish bulls with large horns that point downwards, but rather the Camargue bulls’ horns point up to heaven. When they have bullfights, the bull is not killed but rather festooned with flowers after the bull has been made submissive.
John making the bull submissive with a white parley cloth
John and I sat in a prime position on the beach, to watch “The Evocation“. Eager crowds gradually gathered around the fenced area of where the enactment was to take place.
Riders on white horses prepare for the evocation of Les Saintes Maries de la Mer
Oxen drawing a wagon across the sands in preparation for the evocation of Les Saintes Maries de la Mer
The sun sets on the crowds gathered for the evocation of Les Saintes Maries de la Mer
Complicated stage lights had been erected near us with some adjustments taking place. Romantic music was played to entertain the waiting people – there was not a religious feeling to the set, but rather a stage play of a legend. Finally sheep were herded onto the sandy stage leading to the water. The fine horsemen came galloping in, and later goats and the white horses and black bulls came. All were paraded by the Gypsies and herded off the stage leaving the time at 8pm when the event – the Evocation proper began. A little boat out to sea on the waves, was spotlighted and slowly made its way to shore.
Nine bonfires were lit to welcome them and to show the way to where the gypsies were.
Nine bonfires were lit for the evocation of Les Saintes Maries de la Mer; the caravan crossing to position
The gypsies dressed, as they would have been 2,000 years ago, crowded to the waters edge and assisted the refugees ashore. Although the area was part of the Ancient Roman Empire, this watery region remained safe and separate at that time.
Small orbs linger above the dray and the actors the evocation of Les Saintes Maries de la Mer
Both John and I were overwhelmingly flooded with emotion as tears ran down our cheeks. Words were being spoken over the loud speaker relating the story in French; I mentally chastised myself for not bringing a recorder to be able to translate it later.
Not understanding what was being said – put us in an observation mode, leaving us free to receive insight and understanding from within our own soul memories, for both John and myself could remember being part of that ancient time.
A large blue orb lingers above the evocation of Les Saintes Maries de la Mer
I strongly felt a starship was watching over the whole event. Then energy created was palpable and peacefully beautiful. I asked ‘upstairs‘ to show themselves as I took photos in the dark. Movement is in the photos but Light from the ether shows through. The first one you can see is a major Blue Orb which I am advised from my mentor is like a strobe light used by scientists when observing happenings in deep water. So too, from the Star Peoples’ point of view, they use a similar strobe light to observe what is taking place in the heavier atmosphere of our earth plane. It also serves to up-lift the energy of the event taking place.
Two blue orbs linger above the wagon at the evocation of Les Saintes Maries de la Mer
Enlargement of the blue orb above
the evocation of Les Saintes Maries de la Mer
Three blue orbs (along with many other orbs) linger nearby the cattle being corralled at the evocation of Les Saintes Maries de la Mer
When all the sea-faring family had arrived, they were greeted and brought up closer to the awaiting crowds, viewing the scenario.
More photos below; you can see smoke – the orbs are visible behind the smoke. Also note there are two separate images showing a large Red/purple orbs, with one showing the blue orbs behind it.
Orbs visible behind bonfires and smoke at the evocation of Les Saintes Maries de la Mer – large purple orbs in the foreground
Orbs visible behind bonfires and smoke at the evocation of Les Saintes Maries de la Mer – large purple orbs in the foreground
One scene in particular I could see thin white light in stripes streaming down from the unseen starship above and took a photo.
Lines of light descending at the evocation of Les Saintes Maries de la Mer
The evocation, as a sacred event, re-enacts the Holy and thus is a suspension of time and space. The energy at the Evocation is the sum of the sacred energy and devotion to the Two (Three) Marys and the flight to Gaul with their companions by the Gypsies over two millennia. The tradition of the evocation round Jesus and his companions call back that energy which surrounded his followers and the Marys, and the lines of light indicate Divinity is present pouring down divine sacred energy into the actors, the participants, and all the observers at the Evocation.
When all of the survivors gathered in a row, looking towards the crowd there were nine … not three as I had imagined in my mind; so I thought, “How could this be?” (Remember, we could not understand what was being said in the local French dialect).
The Nine members of the small boat – surrounded by bonfires, facing the cross at the evocation of Les Saintes Maries de la Mer
So I later asked Alcheringa, and his answer was:
“Over two thousand years ago, there were more than one boat that landed, I can assure you. The Gypsies welcomed the family and they, on the boats, knew all the people that were there waiting for them to land.
“Brother James, John the Divine, and Joseph of Arimathea were with them …
They moved on to other places … Mother Mary, her two daughters* were also with them … and of course Mary Magdalene who stayed in the area … moving from the shore to the mountains and spreading the teachings as she went. The teachings were not a religion, they were teachings from the Source, the Source of Creation. They were merely passing on a ‘way of life’; a ‘way to live.’ For at the time there were sacrifices and slavery going on and this is what they wanted to stop and to encourage people to love one another, to love the animals, to love all that was upon the earth and to appreciate and love Mother Earth—these are the teachings that were passed on. Jesus said, “Love one another as I have loved you.” ( Sai Baba says a similar thing in that God is Love, and that you are God.)
“The disciples of Jesus, as they were known, were simple people loyal and God loving … they had a special energy around them … they had all been enchristed … and people recognized that … so that when they spoke and put their hands out to communicate with people—people recognized that energy of Holy Spirit that went with them.“
I have been given insight to more about Jesus’ family. It unfolded as we traveled giving us an Ancient History lesson as we moved from place to place; of what happened to the disciples after Jesus was crucified; a later development of the Christian Church linked with Egypt; our own Soul History and even earlier major earth changes that had taken place around the Mediterranean sea pre. 12,000 years ago, and 60,000,000 yrs ago. John, my husband is not normally as open to these things, but on this trip he was well and truly receiving messages from his Mentor also.
I will be sharing many more stories in a number of articles about our journey on this website one by one.
With love,
Valerie
* Refer to Rosemary/Ruth’s regression to her lifetime as a half sister of Issa-Jesus and Jehanne/Judith’s regression to her lifetime as a half sister of Issa – Jesus.
The illuminated Camargue Cross of Les Saintes Maries de la Mer is carried into the evocation
PAST LIFE REGRESSION – italics are Val asking Rosemary the questions.
We are asking that you be taken into the Halls of Records and you are asking to be led to the book – regarding the life you had with Jesus. When you saw yourself in the House of Miriam.
“I feel my choice is that I am being offered to be transported into a room and it is like that there is many photo albums on a desk. It is being suggested I have a look at these albums. Each one is open and seems to represent a Lifetime I have had. At the top of the desk above the photo album is an engraved nameplate of the year ‘from – to’
So he is suggesting I walk around the room until I find the one I want to look at. It is a large hall and desks are wooden with the albums opened on it.
I am naturally being drawn to the year 33 BC. I am just turning the pages of the album until there is something I want to stop. It’s funny because as I look at the pages they become alive and I could just walk into them if I wanted to. Farmers are going around with oxen. There is a wooden yoke on the oxen and they are plowing the ground.
I am being told it is Joseph the husband of Mary who is going to be my father. But he is not married yet. He is younger. (It’s like I am being shown my mother’s album. There are little white stone houses. They are whitewashed. They are small and people live in them. (She later said they belonged to the Essenes)
Just very ordinary country people and life.
She then sees Mary is carrying a child in her stomach and Joseph is walking with her.
They have a fair way to go. When they arrive in town (Bethlehem) they are greeted and led into a simple house – There is a place where water is boiled. And as time passes in the corner there is a huge bale of hay ready for the birth so that the after-birth etc. can easily be disposed of once the baby is born. (It is not a manger but something she can lean back on while giving birth.) She has 4 women acting as mid-wives attending to her. This birth is long awaited by many for they know the child is the prophesized one. They are all rejoicing – singing.
She was asked if she could see a date on the record.
I am just seeing the date the 29th February. And the year is in the reign of King Herod (it sounded more like Harold) and it was in the 16th year of his reign. Year one was in the first year of his reign.
When asked she said the country was Judea.
She said she was being shown that after Jesus was born – it was after that Joseph and Mary got married. Or became husband and wife together. (You mean the marriage hadn’t been consummated up until then? Rosemary said “yes”.) Jesus was the first born – but Joseph was not the father. A Light from God had impregnated Mary and Jesus was born from that. So that she wasn’t of the lineage of Jesus but rather after his birth the family lineage came from Joseph.
Rosemary said “I wasn’t the first born of the family of Mary and Joseph. The children are James, Phillip, and John then they had a girl called Judith then Ruth. Then another two.
The house was communal living – the children belonged to everyone. You weren’t separate from your cousins or your relatives – it was tribal – everyone belonged to everyone. All were aunts and uncles and so on.
I loved Jesus – he was so much older than me. He was a grown man when I was born. He was 18 when I was born. He used to call me Esmeralda – and funnily my father called me that in this life when I was young.
I had to look after the stove – that was one of my chores. I can feel myself in the body putting the wood on the fire and not wanting to get burnt. Everyone is wearing brown cloth. They wore White on special occasions or if we were out.
(Cannot hear tape well)
Moving on – can you see yourself getting older?
Something has happened in the three years. I call him Issa (pronounced Eesa). He is always talking to men. It is not like when I was little he played with me more. Now is always busy and he goes away a lot and he goes to other places.
She was asked if He was happy.
She said sometimes he sings – other times he is serious – always teaching.
Sometimes he liked to be alone – it was then he said he was with his father. I thought Joseph was his father but he said no. He talked about God a lot He said I have come straight from the Father little one.
He had kind face. A big face. Dark brownish hair – (not dark) sometimes his beard was bushy. He had beautiful eyes – He would give my plait a jerk and say Wake up! Wake up! (She sounded young when experiencing this memory.)
Sometimes he would take my hand and take me walking when he wasn’t too busy.
Then it was like a dark cloud came. People were always talking about soldiers, And dangerous times. Sickness and death. And wanting to be free. They wanted my brother to be king. They wanted my brother to be a head of something. A government? To set the people free. He would say, “But this is not my work. You do not understand. You listen but you do not understand. That is not what I have come to do. You will be set free.
If you believe in me, if you believe and understand the truth will set you free.”
Ruth is upset, here. She is saying:
“Listen to him – it is the Light that will set you free“.
But they wanted their pain to go. They wanted the fighting to stop and the slavery. And the things they saw that was wrong with the world.
He was trying to show them another world. A real place. A real world. That everything that they believed was just an illusion of the mind. He was trying to show them they were trapped by the mind – not the soldiers. But they couldn’t hear him
And I heard him say “Those that have ears to hear – let them hear.”
And it would make me sad. For I thought that what he had come to do – wasn’t going to happen – because they couldn’t hear him (she was crying now). And that made me sad. And I thought that I could be like mother …
She was asked to move on in her memory – after Issa was crucified … There is danger and there is need to get away …
Ruth interrupted and said:
I must tell you, the Marys knew – and the Marys got together to leave that country. The Marys were empowered by the Word. And the Word was with them. And the Word was not (as I can see it) with the men. The Word was with the Marys. And the Marys took the Word to France.
She was asked if they had other traveling with them:
There were several boats. But the Marys held … (I have grown now – I am older – I feel I am about sixteen.) I am one of the servants or the handmaiden of the Marys.
Val comments: this makes sense – if Jesus was 18 years old when she was born and she is now sixteen after Jesus was crucified at age 33, then this would make it that Jesus would have been 34 had he lived.
She was asked who the Marys are?
The Marys are the Mary Magdalene, My Mother (Mary of Jesus) and there is one called Miriam – she is Mary also. She seems to be a cousin to Jesus.
There is another one called Mary. There seems to be 4. I don’t know if there is 3 plus 1 and she has a different function – but there are 4 women. I don’t know if she is supporting the 3 women that hold the Word or whether the 4 hold the Word. So – Oh my God – they have the Holy Grail.
Ruth says she is looking at the Light coming out of it. It is metal and has configuration of other metals forming a design.
It reminds me of a trophy cup. There is engraving on it. It has been designed by someone back in the village.
It is always higher than my eyes – I am always looking up to it.
Do the other Marys talk about it, then?
They seem to worship it? Jesus used to drink out of it.
Is this the one that was said to be at the Last Supper?
I think so – but I don’t know, for I wasn’t at the Last Supper.
I think it is the only thing we have that belonged to him. I … Oh! … I think you will find that his hands touched it after the resurrection.
This is after he had arisen – after the resurrection?
Yes – It has a sound in it.
It emanates a sound.
It’s like a higher sound
In a cave, there is a ledge in the cave and The Marys have made that part of their altar – they give thanks to it – because it carries the Light and it represent the Light to them – it holds the power – it is a focus for them.
It’s like a vortex to another World.
… It is like a doorway. It is iridescent. It is shimmering!
… It has all the colours in it.
She was asked where it was.
She doesn’t know where she is.
We landed and we were met by shepherds. But Mary calls them wisemen. They only look like shepherds to me. They knew we were coming. They took us to this cave for the grail had to be kept safe.
She was asked if they were away from the water?
Ruth said yes.
It was mountainous; there is a cave there.
She had to come back (from the past life regression) then.
We asked first if she could ask if she knew where the Chalice is now?
As far as I can see, the Chalice has been de-materialised. It has returned to its real world. But it can be gifted back.
Just one more question?. Do you have Baba with you?
He says keep the Pyrenees in mind.
Dear Reader: Kindly be aware that the material shared on this page is a past life regression and thus, the experience of a person in this lifetime. It is copyright (“Rosemary”) and the work of Val Barrow. This material is NOT to be copied and posted elsewhere on the Internet or in any other media.
There has been a lot of discussion about the Painting by Leonardo da Vinci (1495-1498) at the Convent of Santa Maria delle Grazie, Milan – Italy. Here is a link for you to follow: http://milan.arounder.com/en/churches/santa-maria-delle-grazie-church. (This is a website which gives both panoramic views and a really close zoom upto the painting itself.)
In particular the painting shows a figure looking like woman leaning away from Jesus … in doing so a V is formed. I began to wonder if there were any other hidden symbols in the painting. It is true the letter V could stand for a Vessel, meaning Mary Magdalene holding Jesus’ Holy blood child … or it could also stand for Venus.
In studying the painting I noticed that Jesus seemed to be looking down to his hands on the table, one palm facing down and the other facing upwards and then from his head to his hands – it portrayed a triangle …knowing that there was once feet painted below the table, his body seemed to form a hidden diamond shape.
This prompted me to begin playing with a square rule and compass (protractor) over the painting to find that the painting has an invisible diagonal cross known as a Christos or a St. Andrew’s cross used in Scotland on their flag … in light Blue and White which I mused are the same colours we often see in Jesus’ robes. See the photo below.
Diagonal Cross of St Andrew superimposed on Da Vinci’s Last Supper
Then I noticed there were a number of areas with the same width, which I have marked with small crosses. Under the table one can see two trestles which without the table cloth, would look like tall triangles or upside down V and if joined together, could be a hidden message of the letter M … could this be a hidden symbol for Mary Magdalene?
Originally, there were another two trestles under the table either side of Jesus’s feet, which were obliterated because of a door being located there …. long after the painting was finished. If these were present, then this would make two MM’s for Mary Magdalene.
Then I began to wonder about other hidden symbols. When I looked above Jesus’ head I counted 6 ladders. Was this a hidden Masonic or Templar message about “ladder to heaven” along with the 33 degree initiation? Each ladder has 6 steps. Each ladder multiplies 6 ( 1/6 of a diameter of a circle) x 6 (steps in the ladder) = 36 and there are three ladders on one side making 108 and on the other side the same mathematics equals 108. 108 is a sacred number used in ancient India and correlates with the number of beads in the japamala. (Japamala are prayer (or rosary) beads.)
Sai Baba speaks of the significance of the number 108
All such mystic numbers have a deep meaning. Man breathes at the rate of 900 times per hour, 21,600 times per day, 10,800 during daytime. With every breath, man is supposed to repeat Soham – and so the figure 216 and its half, 108, has a deep significance … 9 being the number indicative of Brahman. (God the Creator).
Another way to look at the message is to take the steps in the ladders; 6 steps, 6 steps 6 steps on the left, and 6 steps, 6 steps, 6 steps on the right and one way to understand this message is, it is the number of man. If you add them together using numerology, you arrive at 6+6+6 = 18 = 9. In Freemasonry there is an order of Nine elected Knights, and in the working of this Order nine roses, nine lights and nine knocks must be used.
Counting the number of uprights dividing the ladder steps … I counted seven. Using a set square I drew a line from the line of the first and the seventh upright through the centre of the painting (already established with drawing the St. Andrew’s cross) it showed a large upside down triangle coming down to the centre and a large triangle going out to the base of the painting.
Then I took a compass (protractor) and drew a circle from the centre of the painting and found there was an inner-circle around Jesus from the base of the ladders and to the base of the table cloth. Then I found another larger circle could be drawn from the centre to the top of the ladders to the base of the painting just below where Jesus’ feet would have originally been painted in photo 2 above.
There are 4 wall hangings said to symbolically represent the 4 Gospels of the Apostles recorded in the New Testament of the Bible. There are 3 spaces between the wall hangings and I see the number 3 representing the 3 initiations that the Templars need to experience to reach the 33 degree of initiation to knowledge of the afterlife.
There are 2 x 3 groups of apostles painted on one side of Jesus and another 2 x 3 groups of apostles on the other side. 3 3 one side and 3 3 on the other. Is this a quiet reference to the 33 degree of initiation?
I have been using a set square ruler and a compass which is the symbol used by the Masonic Templars that you see on the wall outside their meeting halls. It is obvious Leonardo Da Vinci used the square and compass to create a framework for his wonderful painting.
Leonardo Da Vinci was working with Tempera and mixed media on plaster and relaying the surface of the wall before he began his painting. He encountered real problems with sweating, flaking of the plaster and deterioration of the work because it was behind the kitchen, even in his lifetime. Over the years there has been so much restoration work done, that there is said to be very little of his original work left.
The painting is said to depict the reactions of his disciples at the Last Supper when Christ announces that one of his apostles will betray him as described in the Gospels.
When I look at whose faces have been painted inside the inner-circle I see Mary holding her hands delicately together, leaning away as if pulled away by a hand (then the space forming a symbol of the V) … Jesus (looking serene in front of a window of Light) … Thomas with his finger pointing upwards (to heaven to a blazing star or the cosmic ladder?) … James, the brother of Jesus with his palm outwards towards Jesus, as if to say “This is He, the Holy one of Israel”; and Philip, leaning forward and pointing his hands to his heart with a loving look as if to say I will always love you … these are the only faces painted in the inner circle.
In the outer circle is painted on the left only 2 faces, Judas, having been repainted looking very dark and holding a bag (of money?) also reaching for bread. ( One needs to read the Gospel of Judas to find his real story.) and the other is said to be Peter with his hand at Magdalene’s neck as if to cut her head off, for in his other hand he is secretly holding a knife. This is an allegory of what happened to Mary Magdalene… she was cut out of the stories by the 12 Apostles and replaced by another male Apostle.
On the right side of the outer circle … there are no faces … just another shallow V.
On the outside of the outer circle are 3 faces on the left said to belong to Bartholomew, James the younger and Andrew. All looking shocked.
And on the outside of the outer circle on the right are 3 faces of Matthew, Thaddeus and Simon also looking aghast.
I have seen other names given to the different faces, but I do believe the inner circle face names are correct?
I would like to return to the 6 sixes mentioned above the ladders on the painting.(360 degree = the circumference of a circle) Using a Sextant there is a rule of 1/6th of a circle used with a mirror to line up with one eye to the horizon to navigate a ship by the stars. “Sex” is Latin for six.
2×1/6th of the a circumference of a circle is 1/3rd. Is this the meaning of the symbol used by the Masonic Templars as the 3rd degree of initiation. Meaning 1st degree of a slice of the circle of life, 2nd degree slice of the circle and 3rd degree of the slice of circle meaning the end of life’s cycle and the afterlife? Please see Interview with a Knight Templar in my 2nd Article of “Continuting the Story from Jeanne D ‘Arc.”
Please refer to the photo above. I knew I was being asked by my mentor, to see the six pointed star of David hidden in Leonardo’s brilliant painting. It was only when I turned the painting over and seeing the ink come through the paper that I began to join certain clues and points, hidden within the painting, that a giant 6 pointed STAR OF DAVID appeared within a larger outer circle.
There is also the term “Squaring of the circle” that is explained by Wikipedia. This leads me to think about the Ancient symbol of the Ankh … the circle above an equal sided cross…it symbolizes the key to opening the door of transition from Ka to Ba in Ancient Egypt, meaning one’s spiritual and physical worlds. I believe there would be more messages in this wonderful painting.
Leonardo da Vinci was born in 1452 as an illegitimate son of a notary, Piero da Vinci, and a peasant woman, Caterina, at Vinci in the region of Florence. He is described as an Italian polymath, scientist, mathematician, engineer, inventor, anatomist, painter, sculptor, architect, botanist, musician and writer. He is widely considered to be one of the greatest painters of all time and perhaps the most diversely talented person ever to have lived. His mind and personality seem to us superhuman, the man himself mysterious and remote. (See Wikipedia)
I read where he spent his last years in France, at the home awarded him by Francis I, (1494 – 1547) King of France. And that there was a very close bond between each of them. As I typed, again spirit stopped me, for the letters would not show on the page. I stopped trying to type to spend some time on reflection, and my feeling was there was some intrigue connected to Leonardo’s true birth. I telephoned my medium friend Helen and asked her to assist me with the details. While speaking on the telephone to her she slipped into an altered state and began speaking …
She could see Leonardo as a small boy, looking dark skinned, almost blue/dark like some Judean people. She could see the boy growing up, nothing extraordinary, but he was a special child and had privileges. His birth mother had no close connection. When he was born she saw a Royal House and lots of intrigue. She was astounded at how much they just played around, wasting time. His father, a royal, had sought out a woman, (as happens in these modern days,) to be a surrogate mother. He was thrilled that a son was born to him – but for some reason the son had to be given to another family to look after him … as a job to do, with privileges. There was a secret and it was hoped it would die out. I then asked Helen to move forward in the insight to when Leonardo was dying ….
While on the telephone she began coughing and her voice changed, beginning to gasp …. and I knew I was actually now speaking to the spirit of Leonardo da Vinci. When this happens, Helen does not remember anything afterwards.
Leonardo sounded like an old man, coughing and upset. He knew Frances the King was sitting with him. He was sadly happy, “at last he is holding my hand” “I need his touch” “He is here” sounding sad, and coughing occasionally.
“I and he, know …. but no one must ever know … it was a shock … all of my life to live a lie … a soul in hiding … it was a secret …. integrity is important … (all the time he was gasping for breath) we all fail as human beings … we have to achieve greatness …. weakness of the blood, royal blood … dishonest, deceitfulness … covering up the truth …. my brother … he was crying … and then that was it, he was gone.
Who Leonardo’s royal father was, I do not know.
“Upstairs” is saying it is best not to know as it is his wish. He was born of the Royal House of Valois, inheriting the blue blood and knowledge known by the royals. He would have known the secrets held by the Templars going back to ancient Egypt and the star people. I noticed that the king before Frances I was Louis X11 of France of the House of Valois, Orleans branch, had amongst all of his titles, one title was that he was King of Jerusalem, from 1501-04.
It was thought by many, because Leonardo never married, that he was probably homosexual. On asking my mentors, I was advised that he never was, that his whole life had been spent living the sorrow of his secret, but using his inspirational and creative abilities … passionately.
Now a friend has sent me the following painting … a copy of Leonardo Da Vinci’s Last Supper, taken from an art book,. (It is said to be a Gobelin and dated 1533)
The painter is unknown, but if you look closely at the top of the painting, in the middle, above Jesus’ head there is the heraldry of “The Royal House of Valois” and above that a crown.
The whole supper is grounded on Tesselated Pavers, a sign that it is hallowed ground and that the unknown painter well knew the secret of Leonardo’s true birth.
“The ancient symbol from Lemuria, show a pair of triangles – crossed and interwoven in the centre of two outer circles … The two triangles are enclosed within an outer circle which leaves twelve divisions between the circles. The central symbol of a smaller circle is the monotheistic symbol of the Deity; the triangles of heaven and the outer circle; the Universe.
“The twelve gates to Heaven” represent 12 virtues that must be opened before heaven could be entered. The first virtue is Universal love … then faith, hope, charity and etc …
The Ancient Hindu Symbol, the Shatkona, “six-pointed star,” is two interlocking triangles; the upper stands for Siva, ‘purusha’ (male energy) and fire, the lower for Shakti, ‘prakriti’ (female power) and water. Their union gives birth to Sanatkumara, whose sacred number is six.